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Thu April 13
23 |
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Jen, Jeff, Ann and Tim (Nasrin) bravo!
brava!
Whatever pictures and biographical information or quotes you would like to supply
by e-mail ahead of time, it will be posted here. |
For Monday, April 3: __ Write a brief entry about the presentation given by Jen, Tim, Ann and Jeff on Taslima Nasrin. Include at least one or two quotes from the poetry they covered. How do you know and understand this poet better after their presentation? What aspects of how they taught the poet were particularly effective? 20. Jeff, Ann, Jen and Tim // Nasrin Presentation // Your Title __ Write a brief entry on one of the poems by Dahlia Ravikovitch or Ryuichi Tamura which will be presented next time. (Pinter Anthology, pp. 329ff and 457ff, respectively).
21. Ravikovitch or Tamura // Your Title |
Joanna and Kevin (Gonzalez) and Ryan and Sersch (Celan)
For Friday: Memorize a new poem from any poet assigned so far to help us review where we've been -- but with new insights beyond those we covered in class. Be prepared to talk about conflicting messages, ambiguities, and tensions in your poem. Why did you choose this poem as a moost important poem for you? Hint: You may wish to pair up with someone for the sake of making your brief presentation more provocative. In that case, both of you would memorize the same poem.
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For Wednesday, April 5: __ Read all of the poems by Angel Gonzalez (Vintage Anthology, pp. 15ff) and Paul Celan (pp. 209ff). Write a short entry on some ambiguity in form or content in one of the poems by either author. As we have seen from the presentations, ambuiguities are often the richest place to start an interpretation of a poem.. 22. Gonzalez or Celan // Your Title
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For Friday, April 7: __ Read and ponder the poems once more by Paul Celan in preparation for Sersch and Ryan's presentation (Vintage 209ff). __ Memorize a favorite poem so far in the course -- you may choose a partner for this if you like. Prepare to lead a short discussion into some ambiguity, dichotomy or unsolvable moment in the poem. __ Our public folder may well have a number of entries on the poem you have chosen to memorize. If you have time, read a few entries on your poem -- and address the writers of the entries during your presentation -- how you might "tweak" their interpretation (Sersch's wonderful word), playfully challenge an idea, etc.
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4. Joanna, Steph, Ryan and John // Rumi // Four Quatraines 5. Kate // Hayden // Those Winter Sundays 6. Scott // Williams // Danse Russe 7. Sersch // Celan // Tenebrae 8. Tim // Bernard // Pierced 9. Ann // Nasrin // Character 10. Rachel // Williams // Everything Depends Rachel // Ravikovitch // __________ 11. Kevin // Gonzalez // Diatribe Against the Dead1. Adam // Tamura // Every Morning After Killing Thousands of Angels
2. Jen // McPherson // One Way She Spoke to Me
3. Jeff // Lee // A Story
The week ahead...
__By this Friday April 14: Topic chosen for next presentation and e-mailed to Fr. Mark with names of people in group. __ By Monday: Meet with your writing circle members and read through your papers out loud, individually, slowly, allowing your partners to take notes on how your message comes across. Complete the reader reaction sheets for each member of the group and give them to that person after discussing your findings within your small group. Make sure to take notes on other ideas that come up in discussion for the purpose of revising you paper. A revision will be due end of next week, April 21. You may wish to add a page or two to your paper with the ideas your partners present. Although your paper should present two or three poems from your author, it is enough to focus primarily on one poem and bring other poems by your author into the discussion in a supportive or subordinate way. __ By Wednesday: Meditate for a time about some object in your room or your other surroundings .. with thoughts about how Neruda brought to life the artichoke. Allow the images to pass through your mind, jotting down the most unusual ones. Capture some of your feelings and thoughts in a poem about the object, creating a form for your poem which suits your feelings and messages. The poem can be as short as a haiku (like the "So Much Depends" poem Rachel recited) or longer if you wish. These are meant to be playful and experimental and will occupy a place in our magazine called "The Magic of Things."
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Poems of Grief and Denial of Grief
Source |
POET |
DATE - poet or poem |
POEM |
Grief, Denial of Grief |
*Pinter 99 Poems 64-65 | Li Po | 0701-0762 | The River Merchant's Wife: A Letter | Woman's grief at missing husband |
*Pinter 99 Poems 10-11 | Psalm 137 | -BC: -5C; JBC: Exilic | Ps 137 - By the Waters of Babylon | JBC - lament of thecommunity ()vs individual |
*Pinter 99 Poems 136-137 | Yuan Chen | 0799-0831 | An Elegy | Grief over dead wife and her hard life with him |
*Pinter 99 Poems 45 | Jacopone da Todi | 1228-1306 | The Stabat Mater | Grief of the virgin mother over son, poet about Christ; AFTERLIFE: Let his breath be on me |
*Pinter 99 Poems 90 | Pasternak, Boris | 1890-1960 | English Lessons | Grief of Desdemona and Ophelia - quenching their grief |
*Pinter 99 Poems 104-105 | Queneau, Raymond | 1903-1976 | If you imagine | grief at aging. Meditation onv utter beauty of youth (girl addressee) wrinkles fat flab- but roses! |
*Pinter 99 Poems 21 | Bellay, Joachim du | 1522-1560 | Antiquitez de Rome | at the decay of Rome |
*Pinter 99 Poems 18-19 | Aragon, Louis | 1897-1982 | The Lilacs and the Roses | at the bitter tragedy of war, pre & post |
*Pinter 99 Poems 16-17 | Apollinaire, Guillaume | 1880-1918 | The Mirabeau Bridge | At love slipping away. Hope is so violent. |
*Pinter 99 Poems 30 | Cavafy, C.P. | 1863-1933 | The City (Pinsky) | I have no home anywhere |
(This chart is for Fr. Mark's reference)
Source |
POET |
DATE - poet or poem |
POEM |
Grief, Denial of Grief |
*Peacock p. 37f | Wulf and Eadwacer | 0900-1000 | Wulf and Eadwacer | Distance between her and lover Wulf |
*Peacock p.100f | Li Ch'iung-Chao | 1081-1140 | To the Tune "Cutting a Flowering Plum Branch" | he is absent from this world |
*Peacock p.126f | Komunyakaa, Yusef | 1947- | My Father's Loveletters | father's inability to speak secrets |
*Peacock p.128f | Ondaatje, Michael | 1943- | Letters & Other Worlds | father's alcoholism |
*Pinter 99 Poems | Li Po | 0701-0762 | The River Merchant's Wife: A Letter | Woman's grief at missing husband |
*Pinter 99 Poems | Celan, Paul | 1920-1970 | Deathfugue | Over war and human hate and arian crap |
*Pinter 99 Poems | Psalm 137 | -BC: -5C; JBC: Exilic | Ps137 - By the waters of Babylon | JBC - lament of thecommunity ()vs individual |
*Pinter 99 Poems | Blok, Aleksandr | 1880-1921 | The Vulture | How long must we suffer war? |
*Pinter 99 Poems | Yuan Chen | 0799-0831 | An Elegy | Grief over dead wife and her hard life with him |
*Pinter 99 Poems | Jacopone da Todi | 1228-1306 | The Stabat Mater | Grief of the virgin mother over son, poet about Christ; AFTERLIFE: Let his breath be on me |
*Pinter 99 Poems | Pasternak, Boris | 1890-1960 | English Lessons | Grief of Desdemona and Ophelia - quenching their grief |
*Pinter 99 Poems | Queneau, Raymond | 1903-1976 | If you imagine | grief at aging. Meditation onv utter beauty of youth (girl addressee) wrinkles fat flab- but roses! |
*Pinter 99 Poems | Bellay, Joachim du | 1522-1560 | Antiquitez de Rome | at the decay of Rome |
*Pinter 99 Poems | Aragon, Louis | 1897-1982 | The Lilacs and the Roses | at the bitter tragedy of war, pre & post |
*Pinter 99 Poems; DiYanni p.576 | Apollinaire, Guillaume | 1880-1918 | The Mirabeau Bridge | At love slipping away. Hope is so violent. |
*Pinter 99 Poems; Pinsky Americans'; DiYanni 551; | Cavafy, C.P. | 1863-1933 | The City (Pinsky) | I have no home anywhere |
*Rag and Bone 115 | Vallejo, Cesar | I Am Going to Speak of Hope | Today I am simply in pain | |
*Rag and Bone 206 | Goethe | Erlkoenig - The Invisible King | Denial of child's dying in Erlkoenig | |
*Rag and Bone Shop 100 | Rilke | Sonnets to Orpheus IV | O you lovers, Do not be afraid to suffer | |
*Rag and Bone Shop 102 | Neruda | Melancholy Inside Families | I know the earth and I am sad | |
*Rag and Bone Shop 105 | Neruda | Walking Around | I am sick of being a man | |
*Rag and Bone Shop 108 | Dickinson, Emily | I Felt A Funeral, in My Brain | And finished Knowing - then | |
*Rag and Bone Shop 110 | Rilke | Sonnets to Orpheus VIII | Three Sisters - Praise, Longing, Grief | |
*Rag and Bone Shop 113 | Lawrence, DH | Healing | I am not a mechanism.. I am ill because of wounds to the soul | |
*Rag and Bone Shop 205 | Akhmatova, Anna | Twenty-First. Night. Monday | Some good-for-nothing made it up that love exists on eartrh. I am sick. | |
*Rag and Bone Shop 217 | Ignatow, David | A First on TV | watching calmly a human being being flayed alive - Walter Kronkite models remaining calm | |
*Rag and Bone Shop 220 | Koroneu | Funeral Eva | death of my son, shit on you gods! True rage in grief. | |
Abcarion 7th | Cisternos Sandra | 1954- | My Wicked Wicked Ways | speaker's grief over father's ways |
Abcarion 7th | Hughes, Langston | 1902-1967 | Harlem | Lost dreams in Harlem |
Abcarion 7th | Hughes, Langston | 1902-1967 | Same in the Blues | Lost dreams in Harlem |
Abcarion 7th | Neruda, Pablo | 1904-1973 | The Dead Woman | grief over impending loss of beloved tempered by policial vision and duty - giving voice to powerles |
Abcarion 7th | Lee, Li-Young | 1957- | Between Seasons | at death of a parent and resolution |
Abcarion; Pinter 99 Poems | Brecht, Bertolt | 1898-1956 | War has been given a bad name | behind the humor and irony, grief at war |
DiYanni p.574Norton Teacher Aid | Rilke, Rainer Maria | 1875-1926 | The Panther | panther's imprisonment in Rilke |
DiYanni p.587 see Breughels's Icarus | Auden, W.H. | 1907-1973 | Musee des Beaux Arts | Icarus's trouble and grief noticed, but the world clamly goes on amidst suffering of all kinds |
DiYanni p.590 see Hopper's painting, Sunday | Herlands, E. Ward | 1925- | When Edward Hopper Was Painting | "I like to think" feels like grief |
DiYanni p.592 see Boticelli and Giotto paintings | Eliot, T.S. | Journey of the Magi | At the loss of the old dispensation | |
Halpern | Rimbaud, Arthur | 1854-1891 | 18 poems in Halpern | grief over lost innocence and childhood |
M: & DiYanni p. 587 see auden's poem | Breughel, Peter the Elder | Landscape with the Fall of Icarus (c. 1558) painting | Icarus's trouble and grief noticed, but the world clamly goes on amidst suffering of all kinds | |
Pinsky Americans' | Akhmatova, Anna | 1889-1966 | The Sentence | War's aftermath: Death in life |
Pinsky Americans' | Hayden, Robert | 1913-1980 | Those Winter Sundays | Regret at not realizing father's love |
Pinsky Americans' | Pushkin, Alexandr | 1799-1837 | I loved you | love lost; Good wish for past love |
Pinsky Americans' | Elhami, Hussein | 1900-2000 "20th C" | A Lyric in Exile | grief at missing home;and |
Pinsky Americans' | Donne, John | 1572-1631 | A Valediction: Forbidding Mourning | greif process: at separation |
Pinsky Americans' | Heaney, Seamus | 1939- | Mid-Term Break | Death and dying of young brother killed by a car |
Pinsky Americans' | Homer | -BC: -9Cmid | Illiad Bk 6,439-479 | at prospect of lost family |
www -American Academy of Poets | Akhmatova, Amachai, et al | 8 poems on grief | www -American Academy of Poets on theme of grief |